In honor of Easter and our celebration of the resurrection, I have decided to compile five of my favorite film resurrections. Now, some of you more pious and holy readers might be shaking your heads right now wondering if you should continue reading this, with its borderline-sacrilegious-sounding premise. I assure you, no sacrilege or disrespect is intended. I just happen to be a huge movie fan and I believe strongly in the concept of art imitating life. Or in this case, art imitating death-then-life. I am convinced that resurrection, in a variety of forms, is a powerful storytelling device, primarily since it is grounded in the truth of the greatest story ever told. This will not be an in-depth exploration of these films. There is simply too much ground to cover. I do reserve the right to revisit these films down the road with a more thorough examination. With that in mind, here are five of my favorite movie resurrections. Warning: Many spoilers ahead. You have been warned.
Gandalf (The Lord of the Rings)
Tolkien scattered Christ figures throughout his most popular work, with Gandalf being one of the most obvious and powerful. Director Peter Jackson, though not sharing Tolkien’s faith, fully embraced many of these allusions and in some ways, upped the ante. When Gandalf falls to the Balrog in the Mines of Moria, in the first film in the trilogy, he “dies” with his arms extended in cruciform. He gives his life to save the fellowship. When he returns in The Two Towers, he returns transfigured. He descended into the bowels of death and is raised up again in power and glory.
E.T. (E.T. The Extraterrestrial)
Everyone knows about E.T. If you don’t, stop reading this and go watch it right now. It is one of the greatest films ever made and you are less of a person if you have not watched it. The film includes one of the best Christophanies, which is ironic considering it was directed by a Jewish man who had no intention of making that connection. E.T. dies, comes back to life, performs miracles, and ascends to the heavens by films end. Awesome stuff which is only helped by the incredible John Williams’s score.
Neo (The Matrix)
Whoa! I realize that the religious symbols, words, and imagery that are liberally sprinkled throughout the film were included not out of any devotion to the truth, but more in an effort to tie the film to older and deeper archetypes. For the most part, it is effective. The final scenes in the film step into the eternal conversation about death and rebirth and while the filmmakers divorce their exploration of these things from Christian ideals like selflessness and sacrifice, they do touch upon the concept of Messianic necessity.
Truman (The Truman Show)
At some point, I am going to do a deep dive into the spiritual and social truths layered into this film, but for now, we will just hit some highlights. The Truman Show is the story of one man – Truman Burbank – who lives a false life. He doesn’t realize his life is fake, but everyone around him does. He is the unwitting star of a television show that has followed his every move since the day he was born. His entire world is fake; the makers of the show even construct a city-sized studio to preserve the illusion. Late in the film, once Truman has discovered that things are not what they appear, he is confronted by Christof, the creator of the show. Christof summons a storm to destroy Truman’s boat, leaving Truman tangled in ropes and unconscious under water. For the lack of a better word, Truman dies. Then he rises from the dead. Truman continues his attempt to escape, using the still floating boat and Christof, in a final, desperate attempt, uses the studio’s sound system to speak to Truman. He is the very voice of the god of this fake and empty world. He tries to convince Truman to stay. Every plea and bargain rings hollow and Truman remains steadfast in his desire to leave. There is imagery throughout the final moment of the film that are clearly signposts to the crucifixion, Jesus, and the empty tomb. Combined with the thematic ingenuity of the film, the ending makes for a powerful and satisfying resolution.
Scoff if you want, but in my mind, there are few films that incorporate the ideas of self sacrifice and resurrection better than Marvel’s Thor. Without getting too specific, Thor, the god of Thunder, goes through a massive character transformation; going from arrogant and foolish to noble and selfless during the course of the film. The emotional climax of the film occurs when Thor offers his life to save his friends. He is rewarded with death and then a return to life in a powerful and triumphant bit of cinematic magic. In the clip below, the elements that truly sell the moment are the amazing score by Patrick Doyle and the radiant smile on Lady Sif’s face when she realizes that her friend is not dead.
So there you have it. Those are a few of my favorites. I would love to hear your thoughts on them. Or, you can tell us about some other resurrections in popular culture that mean a lot to you.
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