Five Very Cool Songs Written For TV Plots

Music and television go together like music and weddings, or music and long road trips, or music and…just about anything. Between TV opening themes, songs playing behind dramatic climaxes and the topic I’m covering today, TV has wowed me with music too many times to count.

One unique thing I’ve really come to appreciate from my thousands of hours of TV watching over 40 years is when a TV show doesn’t simply rely on an already popular song to help advance a plotline, but they actually write from scratch and perform it as part of the episodes’ plot. This organic approach makes TV more real to me. Today I want to discuss some of my favorites.

Just to set the criteria clearly, I am not speaking to the aforementioned TV theme songs, though there are dozens of those that are awesome and you can read our take on the Top 10 ever here. Also, I will be writing about songs that have lyrics, to help narrow it down (if I only did music and not lyrics, LOST would dominate this list). So without further ado, here are five amazing songs that were written especially for TV episode plots:


“The Pit” [Mouse Rat, Parks and Rec]

“Bye-Bye, Lil’ Sebastian (5,000 Candles in the Wind)” is probably the better song and the standard for all other songs in this odd category, but there is something special about this Andy Dwyer original. First, it’s quintessential Andy. Pure, unadulterated, lovable idiot Andy. Second, I think the fact it ties into a huge PnR storyline makes it memorable. Additionally, it’s lyrically simple but that is part of the appeal I think. Lastly, it got a huge bump in my mind when April played it for Andy as an apology for not respecting his band. But I can’t lie, a huge reason above all others that I love this song is because its guitar music takes me back to 1991. Back when I cared a lot more about music and riffs than lyrics and content. I could listen to this 90 seconds on repeat many days.


“If I Didn’t Have You (Bernadette’s Song)” [Howard Wolowitz, The Big Bang Theory]

Originally written by the modern comedic musical duo Garfunkel and Oates (both of whom you probably have seen in multiple TV shows or movies, including The Big Bang Theory), Simon Helberg used his real world talent to kill this scene as Howard playing and singing an A+ romantic number to his wife. It is perfectly written for the show’s quirky, nerdy-yet-cool personality, summing up the committed relationship between the two scientists by referencing everything from binary code to isotopes to Doctor Who and the TARDIS. And it has a line in Klingon! LOL. It is a song that touches the brain and the heart at the same time, supremely endearing and deeply emotive. BBT will never be my favorite sitcom but this original song is among the best ever on TV to me.


“That’s An Adventure” (Main Cast, Community)

In all of Community’s outrageous episode premises, having a muppet episode did my heart good, having been a huge fan of Kermit, Miss Piggy, et. al growing up, and feeling a deep kinship to Gonzo especially. Even to adulthood.

But what really brought this episode home was that it was, like the Jim Henson Muppet movies, a musical. And the magnum opus of the cast was a jolly, joyful jaunt of a tune called “That’s An Adventure,” that I affectionately refer to as “The Hot Air Balloon Song”. My wife can testify that no song originally written for a TV has gotten to me like this one.

The gang feels like they’re in a rut and they need something original to do together to shake up the doldrums. They need an expedition. They go through some ideas that they disagree about as the song begins before Annie satisfies all of their criteria by suggesting a hot air balloon ride. “Yes! That’s an adventure!” And so one of the most lyrically hilarious, musically magical songs I’ve ever heard takes off.

I’ve actually listened to this song many times while working out and I doubt I have gone more than a month of time without listening to it since I first heard it in August 2017. That’s how much I love this song. It never, ever fails to put me in a good mood.


“White Lie” (Eli Loker, Lie To Me)

Unlike the rest of the songs on this list, this one was from a drama and not a comedy. Yet the song is amusing and compliments the show extremely well.

Loker had to take care of some visiting kids during a crisis at the Lightman Group HQ and he entertains them with a song that goes along with what his company is about yet is suitable for children: white lies. It’s quite charming and always brings a smile to my face.

I confess I liked this show and was disappointed that FOX cancelled it after three seasons and that it never got picked up elsewhere. This simple song is just a small piece of evidence of its originality that I enjoyed.


“Semi-Weirdo” (Gonzo, Muppet Babies)

The Muppets in their various variations dealt frequently with Gonzo’s uniqueness. The movie Muppets from Space chronicles Gonzo trying to get in touch with his kind, who are from another planet. A book called “What’s a Gonzo?” deals with Gonzo’s confusion over not being a regular animal like Kermit or Piggy and trying to figure out what he is, and ends with him realizing ‘You’re a Gonzo” and “Isn’t that enough?”. They always dealt with this in a clever and healthy way.

This Muppet Babies episode is no different. They did plenty of musical type episodes and characters would break into song frequently. Here, Gonzo bemoans the fact he’s odd with a contemplative song that starts melancholy but ends upbeat and, well, weird. It’s a perfect way for Gonzo to express himself, starting off with self-doubt and ending with self-realization. If you think I’m reaching too deep with that, you’re probably not a Gonzo.

So there is my list. Do you have any you like? Please share below!




Lucy Hosts a Dinner Party

Lucy Hosts a Dinner Party

The setting is Ricky Ricardo’s Club Babalu. Lucy has invited three book club friends and one guest of these friends to join her, Ricky, and their besties the Mertzes for dinner. The nine gathered dinner guests include Lucy, Ethel and Fred Mertz; Jerry Seinfeld and Elaine Benes; Lucille and Gob Bluth; Kate Austin and Jack Shephard. Prior to their arrival Ricky has just finished performing his favorite song. All except his wife, Lucy, silently rejoice at this since they all unanimously hate it with every fiber of their being. Gob is sure that act can be vastly improved with a bit of magic…and candy. Now they impatiently and hungrily await Ricky while he changes backstage. (The waiters have been instructed not to begin dinner until he arrives.) Like a gracious host, Lucy breaks the ice.

Lucy: Early this afternoon Ethel and I were really bored and I just looked at Ethel and said, “You know what we ought to do? You know what we ought to do?! You want to go downtown and have dinner with the boys tonight?” And she said…tell them what you said, Ethel.



Ethel
: I said, “yes!…What boys?”


Lucy: And I said, “Fred and Ricky, silly.” And then she said, “Oh yeah.” Just like that “Oh yeah,” and she obviously wasn’t at all excited about it. So I suggested we invite some of our book club friends and their significant other.


Ethel: Or a friend.



Jerry
: Or mortal enemies (He looks meaningfully at Elaine).


Lucy: Good times! Now, all we need is Ricky.



Jack Shepherd:
 Shouldn’t he already be here?


Lucy: Hold your horses. And, say, won’t he be delighted to see you all.


Ethel: You mean he doesn’t even know yet?


Lucy: Well, he knows the three of us are.



Mrs. Bluth
: GAAAH! Why am I even here? Gob!…


Jerry: And why haven’t we given our orders yet?


Lucy: We’re waiting for Ricky. He has to tell the waiters when we’re ready.



Elaine
: I’m ready.


Jerry: I thought we had reservations.


Lucy: We did. I made them. 


Jerry: Did you? Do you even know how reservations work?


Lucy: Yes, I know how reservations work, Jerry, thank you very much.


Jerry: I don’t think you do. If you did, we’d be eating.

(He looks at Fred). Am I wrong?



Fred
: Don’t look at me, I’m just here to for the chow.



Elaine
: (scoffs) Lucy.


Lucy: Excuse me…Have we met?


Elaine: No, but I’ve heard of your show. “Murphy Brown”, right? I’m writing a script for it.


Lucy: What? I’m on “I Love Lucy.”



Elaine: Yeah, whatever, I don’t care.


Jerry: Let me get this straight, you haven’t even seen the show and your writing a script for it?


Elaine: (Ignores Jerry and looks at the food on the other tables). GAAAH, I am so hungry!


Lucy: Now listen, Ethel, when Ricky gets here and sees everyone you distract him with something that will make him forget about being mad at me.


Ethel: Huh? How?


Lucy: Dance with him, talk, sing…That’s it! Ask Ricky to sing.



Ethel
: Sing?! You know he won’t!


Lucy: Oh, WON’T he! There is nothing he would rather do, ever!


Jerry: My but isn’t it great to see such familial love and trust in action.


Elaine: What’s the point of waiting for this guy. Let’s eat!


Lucy: “This guy”? I’ll have you know—


Kate: Just a little plate of chocolates. Is that too much to ask? Just one plate. 



Gob
: Oh come on! She just wants some chocolate. Garkon! Garkon! A plato ofo chocolatos for the senioraitos and the seniorettees.


Lucy: No! No, never mind, Sam. No chocolates.


Fred: You just had to ask for chocolates. Ethel and Lucy have had it with chocolate since that time they scarfed down all those chocolates at the chocolate factory.


Lucy: Well…that was all your fault.


Fred: My fault?


Lucy: Yes. Yelling all those crazy things.


Fred: That was dinner talk.


Lucy: Yeah well…you scared me!


Ethel: My sentiments exactly, Lucy. (scowls at Fred)


Lucy: Thank you, Ethel.


Jack: I got to tell you ladies, if you don’t learn to get along with your husbands…you’re going to eat alone.



Kate
: (turns to Gob) He always says stuff like that.


Jack: Yeah, well. I love you.



Kate
: I love you more.


Jack: No, I love you more.


Kate: Okay.


Gob: That’s the Christmas Spirit.


Jack: Back on the island we didn’t celebrate Christmas at all and liked it.


Kate: (To Gob) He loves talking about the island.


Jack: The island told me to.


Gob: (Pulls out a deck of cards and shows the top card) Hey Kate, see this King of Diamonds?


Kate: Sure.


Gob: That’s me. You’re the queen who the king of diamonds showers with diamonds. (pulls a queen of clubs from the deck)…I mean Clubs…Club sauce! He showers her with club sauce!!!



Mrs. Bluth
: Ugh, I hate club sauce. If I wanted my sauces touched, I’d eat the inside of your ear!


Gob: What does that even mean?!


Lucy: Okay, okay, okay, everyone. While we wait for Ricky, let’s play “Going On a Picnic.”


Jerry: Yeah, cause we really need to work up an appetite right now.


Ethel: Really?


Jerry: No.



Mrs. Bluth:
Lucy, dear, I don’t like these games and I won’t respond to them.


Lucy: I’m sorry you don’t enjoy these games more. I guess you are just a heathen who doesn’t “get” what fun is all about.


(Lucy and Ethel enthusiastically begin the game but Fred refuses to continue and everyone else is good with that. Except for Gob)

Gob: I’m going on a picnic and I’m taking an artichoke, a bacon sandwich, and….a Chimpanzee with a cup of cold coffee…and an illlluuuusion.


Elaine: (Says quietly to Jerry) Ya know, we shouldn’t have to wait for her husband to eat. I feel like just going over there and taking some food off somebody’s plate.


Jerry: I’ll tell you what, there’s 50 bucks in it for you if you do it.


Elaine: What do you mean?


Jerry: You walk over that table, you pick up an empanada, you don’t say anything, you eat it, say ‘thank you very much’, wipe your mouth, walk away. I give you 50 bucks.


Elaine: 50 bucks, you’ll give me 50 bucks?


Jerry: 50 bucks. That table over there, the three couples.


Elaine: OK, I don’t wanna go over there and do it, and then come back here and find out there was some little loophole like I didn’t put mustard on it or something…


Jerry: No, no tricks.


Elaine: Should I do it, Lucy?


Mrs. Bluth: (applying lipstick) Its Lucille. Don’t mistake me for that red-headed bimbo over there.


Lucy: I’m right here.


Mrs. Bluth: (Ignores Lucy) Sure, why not. It’s your grave. Frankly, I don’t trust anything served in this place.


Jerry: True. You also notice most of the waitresses are really ugly. Totally undateable!


Elaine: Just when I think you’re the shallowest man I’ve ever met, you somehow manage to drain a little more out of the pool.


Mrs. Bluth: (ignoring Elaine) I noticed that. The male waiters are pretty hideous as well….That settles it. (She gets up and leaves without telling Gob who just said he is taking a lovely lava-lamp on a picnic).


Elaine: (Leans over to Gob). Hey buddy, your ride’s leaving.


Gob: What?…come on! (He gets on his Segway which is beside his chair and quickly exits).


Lucy: Oh, don’t leave you two! Ooooh!


Jerry: (He turns to Elaine) So?


Elaine: So, what?


Jerry: The bet?


Elaine: On one condition. That you follow me and that having completed the task, we immediately leave and go get something to eat.


Jerry: Yeah, whatever. (Leans across the table) Hey Lu, we got to go.


Lucy: Oh no. Not you two too.


Jerry: Yeah, we gotta go.


Lucy: Ohhh, why?


Jerry: Yeah, its Elaine, uhhh…she’s like really frightened and has to go home.


Jack: Frightened?


Jerry: Yeah, she has what the doctors call a condition, it comes and goes and if she doesn’t go home soon she could die. DIE!



Jack
: Let me tell you something about being frightened. On the island–


Kate: Comes and goes?


Jerry: Mm…it comes…and it goes, it comes and goes.


(Elaine takes a bite of an empenada from another table after which she and Jerry leave. At the same time Gob reenters on his Segway and approaches Kate)



Gob
: So mon senioritaria, can I get a ride home. I have candyyyyyy…in a piniata.


Kate: Why don’t you just go on that thing?


Gob: Are you insane?! That’s like an hour on this baby. An hour!


Narrator: 15 minutes.

Kate: (Thinks) And you say you have candy.


Gob: And an Xbox. And more…oh, so much more.


Kate: I’m sold, let’s go. Later Jack.


Jack: What? Kate, we go home together, or you’re going to die alone.


Kate: (smiles) Oh honey. I love you, but seriously, I’m with Gob now. He has candy! (exits with Gob on his Segway).


Ethel: I wonder why he didn’t offer us any candy.


Jack: I have to go back!


Lucy: No, oh, don’t go!


Jack: I have to go back! (Exits)


Fred: We might as well go to, Ethel.


Ethel: Fred!


Fred: Well I’ve had it. I’m hungry. (Exits)


Ethel: (Turns to an increasingly distressed Lucy.) Oh!


Lucy: Just go ahead, Ethel. I’ll be okay here all alone.


Ethel: Oh! Say, now you and Ricky can have a real nice romantic dinner. See you later, dear. Love you. Ooooh! (Exits)


(Lucy sobs)

(Ricky enters. Kisses Lucy)

Ricky: Hello honey. What’s the matter?


Lucy: Don’t you honey me!


Ricky: What happened!


(Lucy gives him the evil eye)

Narrator: It was then that Ricky discovered he’d made a huge mistake.

Ricky: Cometí un gran error.





500 Words or Less Review: Watership Down (Netflix/BBC)

Watership Down, the novel written by Richard Adams, is one of my favorite books of all time. When I try to explain why I love it so much, words tend to fail me. It is a book about rabbits, after all. How could a book about rabbits be something an adult man would love? Easy. Think of it less as a book about rabbits and more as an epic story about friendship, survival, and hope. The ties that bind these heroic rabbits are easily identifiable and relatable.

That’s the book. The new Netflix/BBC series is a different thing. Fortunately, it’s not different enough to significantly lessen its impact. A few caveats about the new series: First, the animation is not up to the big-budget Pixar or DreamWorks standards. That might be a deal-breaker for some. Trust me and be patient with it. The story is worth it. Second, if you are a book purist, try to set that aside as much as possible when watching this series. Stuff gets changed. Know that going in and it might save you some frustration.

There is good news, though! While liberties are taken the filmmakers prove they have a deep love for the source material and do their best to maintain the spirit and the tone of the book. The series is divided into four 51 minutes sections – each with their own title and focus. I loved this format because it gave the filmmakers a chance to really dig into the story – more time than a two-hour film – but not too much time which would have tempted them to really mess with the key dynamics. It’s a good balance and makes for a mostly focused story.

For my money, the two standouts in this version are the voice actors and the music. The cast does great work in bringing these wonderful characters to life. We get to know Hazel, Fiver, Bigwig, Kehaar, General Woundwort, and the rest. James McAvoy and John Boyega are particularly good in their key roles. And the original score by Federico Jusid is in turns epic, subdued, and poignant.

One of my favorite aspects of the novel is that while these characters are relatable, they also operate on very non-human levels – driven more by instinct and need. For the most part, the series gets this right. There are attempts to shoehorn in a few modern points of view, but they wisely avoid making those things the focal point.

I highly recommend this new series by Netflix and the BBC. It is entertaining and moving. There is a beautiful melancholy that hangs over most of the series, which is also true for the book, and that made my heart very happy indeed. A word of warning: neither the book or series are intended for young audiences, even though they are about rabbits. Older children should be fine but be aware that the story goes to dark places and there is some bloodshed as these brave rabbits fight for their futures.




Around the Table: Five of Our Favorite TV Dinner Scenes

Both of our dinner scenes of film Fives have gone over well (to varying degrees). But in recent days it has come to our attention that television felt left out, cast into the cold and trodden underneath our calloused feet, as it were. For our part, we are aghast that it has taken us this long to highlight some great dinner scenes depicted on TV. Hysterical, awkward, heartfelt, masterfully orchestrated, these are a few of our favorites:


The IT Crowd – “The Dinner Party” (Phill Lytle)

I did not love The IT Crowd immediately. In fact, my first attempt to watch the show ended after the second episode of the first season, much to the dismay and consternation of a few of my fellow REO contributors. It just didn’t work for me. I gave up after those two episodes and figured I would never come back to it.

A few years later, I changed my mind and decided to give it another chance. Some of the REO braintrust, Nathan Patton, Gowdy Cannon, and Benjamin Plunkett, were huge fans, and as I value their opinions on most things, I knew that I had to stick it out.

I’m so glad I did.

Now, it did not work right off the bat, even the second time through. I still found some things in those early episodes that annoyed me, but slowly, I started to appreciate the humor and the characters. For the uninitiated, The IT Crowd follows two socially dysfunctional men (Roy and Moss) who work for the IT department of a large company. In the first episode, we are introduced to the woman (Jen) who somehow manages to be placed in their department as some sort of manager though she has no IT or computer expertise. It’s a match made in heaven. Of course, there are many side characters that add a lot of humor and charm to the show – characters like Denholm Reynholm, his son Douglas, and most importantly, Richmond Avenal, a reclusive gothic weirdo who hides/lives/works in the basement of the building.

In the second season (Series Two for the Brits) Jen is having a dinner party with her new boyfriend. At the last minute, the men she had invited are unable to attend, so she is forced to invite a few of her coworkers – Roy, Moss, and Richmond. I doubt I have laughed more at any other scene in the series as I did during the dinner party that ensues. From the three men and their inability to be remotely normal – their efforts to look normal kill me every time I watch it – to their absolute lack of self-awareness when it comes to conversation and social etiquette. Jen is beside herself in embarrassment but we as the audience are all better off having seen the insanity on display. This was the episode that convinced me that the show had greatness in it. It made every episode around it better due to how perfectly every aspect of this dinner party was deployed.

I’ll leave you with the classic, “look normal” pose.


Psych – “American Duos” (Gowdy Cannon)

Psych was about Shawn and Gus but in this episode, Tim Curry steals the show. Guest starring as Nigel St. Nigel, the lead judge on the fictional American Duos, Curry plays a parody of Simon Cowell. Except if Cowell were about 100X funnier. Wielding an acerbic wit and his natural and phenomenal British accent, he trash-talks everyone with whom he comes in contact with clever and side-splitting material. As when he claims Lassiter’s hair looks like it’s been poured out of a cake mold.

So naturally he has enemies and the main plot is that someone is trying to kill him. He is seemingly not safe anywhere so they eventually put him at Henry’s house, where the competent ex-cop can keep an eye on him. And as Henry, Nigel, Shawn and Gus sit down to steaks that Henry has evenly marinated, the fun begins.

Nigel has helped himself to Henry’s bathrobe. He calls Henry “Horace”.  He asks who decorated the place, “Kris Kristofferson?”  Henry tries to keep up in the putdown war but he’s clearly outmatched as if he brought a fork to a gun fight. Nigel has an endless arsenal of insults and they are all hilarious. Shawn and Gus are not to be completely ignored, however, as Gus procures three full ears of corn from the fridge and continuously and violently slaps Shawn’s hand away when he tries to have some. The seriousness and tenacity with which Gus denies Shawn his corn (“Keep playing, Shawn! Go ahead!) is evidence of why Gus is one of the great TV characters ever to me.

The scene ends with Nigel claiming that while wearing Henry’s plush robe, “I feel like an angel baby, swaddled in a cocoon of cloud candy,” just before Shawn takes a timeout with Henry in the next room where Henry declares that Nigel has violated “basic robe code”. But not before it leaves a wake of tear-inducing laughter behind. It was the first scene in this show’s run that caused me to think “This show can be ROTFL funny.”


The Office – “The Dinner Party” (Ben Plunkett)

The Office is famous for being hilarious yet so awkward it’s almost hard to watch. This episode is a prime example of that. In fact, it would not surprise me one bit if this were officially awarded The Most Awkward Dinner Party in TV History. It definitely deserves an awkward award. Again, it is hilariously so. The evening begins simply enough for Jim and Pam, albeit with a small glimpse into Michael and Jan’s decidedly dysfunctional relationship in their clearly Jan-centric home. After they are joined by Andy and Angela, the evening slowly continues to escalate to ever more horribly awkward levels. At one point Jim tells the camera, “Michael and Jan seem to be playing their own separate game, and it’s called, ‘let’s see how uncomfortable we can make our guests.’ And they’re both winning.” About three hours later Dwight arrives uninvited with a date (his former babysitter), and his own glasses and food (beet salad, of course.) For the rest of the evening he is gloriously oblivious to the mounting tension in the room (either that or in his own Dwightly way he just doesn’t care). But he is only to delighted to take his bosom pal Michael home with him following a huge Jan and Michael blowout that brings the police to their door, serving as the awkward evening’s grand finale.

I feel compelled to add at this point that it is in this episode that Michael describes a wine as having “an oaky afterbirth.” And, really, that describes Michael and Jan’s dinner party, doesn’t it? Doesn’t it? It had some sort of awesome oaky, hokey afterbirth.

Jim: “What was that?”


Parenthood (Phill Lytle)

For some time, I have wanted to write about the importance of sitting around a table and eating with friends or family. There is a sacredness to breaking bread together – something that feels almost divinely designed. One of my favorite shows of the last 10 years, Parenthood, used dinner scenes as a way to explore family bonds and unity. There are too many dinner scenes in the six-season run of the show to only focus on one, so I won’t even try.

Parenthood follows the Braverman family. They are a close-knit group, to say the least. The whole family tree is included, from the patriarch and matriarch to the grown siblings – two boys and two girls, and all their respective families. They are passionate and deeply protective of each other. They fight, they argue, and yet they always find their ways back to each other. A key dynamic in all this passion and familial color is the dinner table. The opening credits even reinforce this idea of what it says about a family that eats together. They are united in all the ways that count. The dialogue in each dinner scene is real – avoiding feeble attempts at plot building, instead opting for character and relationship development. The scenes feel real because they remind us of all those times we’ve sat at a table with our families and friends, with all the accompanying shouts, laughs, and noise. It’s beautiful and sacred stuff and we need more of it in our lives.


Seinfeld – “The Strike” (Gowdy Cannon)

Seinfeld has flooded our culture with so much that is now iconic you can’t escape it. From the Puffy Shirt in the Smithsonian, to Patrick Warburton painting his face in real life for a New Jersey Devils playoff game, to nearly everyone having invoked some version of “No soup for you!”

But at the very top of the list is the Festivus episode, named “The Strike” for Kramer’s subplot. But there is one big reason everyone remembers this episode: the introduction and celebration of Festivus. It’s so popular that a few years ago Jason Alexander said it was the most common thing shouted to him in public, which is saying something. And perhaps no scene in the episode is more memorable and lasting than when a motley crew of nine people–The Big 4, the Costanzas, Kruger and two random mega-creepy guys from the horse track–gather to celebrate this ridiculous made-up holiday.

Frank dominates the gathering. He invented it, so he gets the mic. And he does not disappoint. He begins the airing of grievances (He’s got a lot of problems with those people) by trying to insult Kruger but gets disoriented: “You couldn’t smooth a silk sheet if you had a hot date with a babe—-I lost my train of thought.”  It’s so realistic I could totally believe Jerry Stiller really forgot his line.

Festivus is epic, and it’s never over until George pins Frank. So for that it makes our list.

 


Those are some of our favorites. What are yours? Let us know in the comment section below. And while we’re at it, spend some time around the dinner table with your family and friends. It’s good stuff.




500 Words or Less Reviews: Ken Burns’ The Vietnam War

Ken Burns and Lynn Novick’s 10-part documentary “The Vietnam War”, highlighting the U.S. involvement in Vietnam through the mid-50s to mid-70s, is a profoundly well-made one. Nevertheless, some who lived during these times have criticized the two for skewing the material in various ways.

On the other hand, the miniseries has the approval of the nationally respected organization, Vietnam Veterans of America. In his review on behalf of the VVA, Marc Leepson, states they feared the worst of the miniseries, the making of which they were never consulted. But he says they were largely delighted with the well-presented production that lays out an accurate, balanced depiction of the events (You can view Leepson’s review here.)

The documentary begins things in 1898 at the beginning of the Vietnamese struggle against French colonialism, the French would lose control to the Japanese during World War II, followed by a failed attempt by France to take it back after the war.

The now independent Vietnam became steeped in a bitter civil war between communist northern Vietnam and increasingly politically corrupt southern Vietnam. In the U.S. fight against all faces of communism, the U.S. sided with South Vietnam. The nearly 20-year U.S. involvement in Vietnam was done under the authorization of five U.S. presidents and a host of other politicians who carried it out with a combination of pride, political ambition, and misunderstanding of the Vietnamese people. The official start date for our involvement is said to be 1955. After the U.S. fighting forces finally left in 1973, the now dependent South Vietnamese army was left to defend itself and failed miserably.

The 10-part, 17.5-hour miniseries is told via video clips; historic sound recordings; snapshots; the narration of Peter Coyote; and the first-hand commentary from many of the players involved. These commentators present an extremely heartfelt collage of the many facets of what went down during those many years. Included are both Vietnamese and U.S. individuals. Without exception, all of these commentators are very well spoken and articulate clearly their very strong feelings for this bloody chapter of world history. In the closing minutes of the final episode, many of the main commentators are today revealed to be writers of memoirs, poetry, and novels; counselors; historians; teachers; career military officers; doctors; and judges.

Each episode begins with a “Viewer Discretion Advised” warning, alerting viewers that the following episode contains mature content, strong language, and graphic violence. This is well deserved. Most of this material is expected because of the nature of the subject, but there is also a gratuitous, unnecessary topless Jane Fonda video clip (episode 9, from 1:26:25 to 1:27:02).

And then there is the construction of the Vietnam Veterans Memorial, a moving tribute of the many thousands of U.S. soldiers who died in Vietnam. Many who were very skeptical of such a memorial came to tears at the first sight of it, some collapsing in emotional exhaustion. This miniseries itself is a beautiful memorial and should be viewed by all Americans above the age of 13.




Streets Ahead: Five Community Episodes That Make It The Funniest Show Since Seinfeld

“If you have to ask, you’re streets behind.” (Pierce)

 

Seinfeld is the Jerry Rice/Godfather/Cinnamon Toast Crunch of sitcoms. It wins any “greatest” conversation to me (and won the REO staff’s tournament). But in my mind there hadn’t been a sitcom I had been willing to put in the same conversation with it.

Until now.

Let me be clear that I have thoroughly enjoyed several sitcoms this century. Arrested Development was exceptional from the first second of the first episode and brought the jokes at a rapid-fire pace. Scrubs could be right up my alley in how ridiculous and random it was and yet how it could pull the heartstrings like a well-done medical drama. Park and Rec had the biggest heart and best ensemble cast of maybe any sitcom ever.

Yet one show stands above the rest in terms of comedy, the most basic category for how we rank sitcoms: Community. I say this as purely my own opinion but I will say we have an objective way to measure humor—by how much we laugh and how hard we laugh. The previously mentioned sitcoms (and I’d even thrown in Psych, though it was an hour-long show) were probably better shows. But you can ask my wife; no show that we have watched together has caused me to laugh like Community. To me, no show I’ve watched in the last twenty years is funnier.

We binge-watched it a year ago and my laughter was so long and disruptive, often literally causing me to ROTFL, that my wife had to have the remote so she could pause it so we didn’t miss 5-10 minutes of the show. 

And after we finished it, I immediately watched it all the way through again and then asked for it for Christmas to have forever. 

It is probably the most creative show I’ve ever seen. And the most meta. It took something that Arrested Development and Scrubs did well (being self-aware, winking at the audience and parodying everything) and took it to the extreme. Yet comedy is laughter when broken down to its most existential form. Here are five episodes that made me laugh till I cried and started beating the floor, begging for mercy.

[Note that this isn’t necessarily a Top 5 list and that two of the best episodes–Contemporary American Poultry and Remedial Chaos Theory–are missing by design. Because I’ve honored them in other REO articles.]

 

Environmental Science (Season 1, Episode 10)

This was the first episode where I realized Chevy Chase was going to bring all of the magic that made Clark Griswald and Dusty Bottoms great to this role. When he teaches Shirley effective public speaking tips, including “hand them a sandwich,” and she uses them to get a roaring applause, his reactions while sitting in the audience are priceless. This, along with the other episode plots, happens as Abed and Troy sing “Somewhere Out There” as they search for Fivel. And there’s a lot of El Tigre Chino in this episode, making it even more riotous.

 

Paradigms in Human Memory (Season 2, Episode 21)

It was the climax of the second episode of season one when I realized this show had the ridiculous and random I love so much, when Jeff helped Pierce with his Spanish project and at one point they were waving huge Greek flags. It was the aforementioned Chicken Fingers episode late in season one when I realized just how hard this show could make me laugh. But it was this episode when I knew I was witnessing greatness.

Most sitcoms rely on the clip episode at some point and some shows have even made fun of how lazy that is. But Community is too outrageous to settle for that. Their “clip” show is from entirely made up episodes and in the show’s classic fashion, makes fun of itself by having Jeff bring it home at the end with an insane mashup of his speeches from these entirely made up episodes.

“These drug runners aren’t going to execute Pierce because he’s racist…

it’s a locomotive that runs on us

and the only sharks in that water…

are the emotional ghosts I like to call….

fear…

anchovies…

fear…

the dangers of ingesting mercury!

because the real bugs aren’t the ones in those beds!…”

And on and on he goes as the music builds and we are treated to images like Pierce having a gun to his head in Mexico and the entire group in straight jackets. Out of this world cleverness and tear-producing laughter.

 

Competitive Ecology (Season 3, Episode 3)

This episode has the distinctive feature of one of the ROTFL moments coming from someone outside of the study group: the mild-mannered, quick-to-forgive punching bag Todd. He’s been paired up with Pierce because the class assignment calls for a partner and the study group is an odd number. And throughout the entire episode, they berate Todd with insults and end with “No offense” before he jovially replies “None taken.” When Pierce calls him petty for showing empathy because Pierce wanted to be with his friends, that was a fall on the floor laughing moment to me. But it was upstaged by Todd’s meltdown at the end, which he punctuates by exclaiming he’s finally going to go home and take his insulin shot. (And don’t miss Abed’s facial reaction to that statement.) It was a rant worthy of Clark Griswald, an appropriate comparison given the circumstances.

 

Pillows and Blankets (Season 3, Episode 14)

You really never knew what Community was going to do for episode premises. The study group could be video game characters, muppets, claymation, or in a G.I. Joe cartoon. There could be a paintball or a Halloween party with real zombies or a Dungeons and Dragons game. Jack Black could show up, there could be a bottle episode or they could fight Germans for the study room.

So it should be no surprise that truly one of the most special episodes is a brilliant parody of Ken Burns’ Civil War documentary. As the second half of a two-parter that has Troy and Abed go to battle over the exact thing the episode title says, it opens with noting that Shirley is “AKA Big Cheddar” (a callback to a previous episode where she made Jeff cry when they were kids). And it only gets funnier from there.

 

Cooperative Polygraphy (Season 5, Episode 4)

This episode holds the record for most times I laughed so hard that my side hurt. The fascinating thing is that most of it was at Pierce…and Chevy Chase wasn’t even in the episode. Mr. Stone (Walton Goggins) comes by after Pierce’s death to be executer of Pierce’s will. Nearly all of what he says is written by Pierce and it is delivered with stone-faced monotone. Yet because of the writing, Mr. Stone captures Pierce’s “voice” and presence perfectly and it’s over-the-top hilarious to me. Because Pierce was one of the greatest sitcom characters ever.

 

I could make this list 50 episodes if I wanted to. That’s how good this show was. Community overcame a significant amount of obstacles—Chevy Chase being a jerk in real life and departing, Donald Glover quickly realizing how huge of a star he could be to the point of leaving as well, Dan Harmon oddly getting axed for a season (though that season was still great)—to vault itself to the top of the Greatest Sitcom charts. The last half of Season 5 is passable and Season 6 was surprisingly pretty good, with the finale being outstanding. If Troy and Pierce had been present, it would have been the best ever.

But for 4.5 seasons it was white hot. And only Seinfeld beats it to me.

 

 

 

 




The Time Of Our Life: Remembering The Night Seinfeld Ended

“For the rest of our lives, when someone thinks of one of us, they’ll think of all four of us. I can’t think of three people I’d rather that be true of.

[Jerry Seinfeld, to Julia-Louis Dreyfus, Jason Alexander and Michael Richards, in the huddle before the finale]

 

It’s something unpredictable
But in the end it’s right
I hope you had the time of your life

[Green Day]

 

During the 1997-98 school year I was a sophomore at the University of South Carolina. And every Thursday night at 9:00 I would gather with my brother Ashley, and our friends Shawn Simeral and Bryan Baxley to watch Seinfeld. It was our favorite show. For all of us. Occasionally others joined us and occasionally we would meet up at 8:00 to watch Friends as well, but there was no doubt the night was dedicated to Jerry, George, Elaine and Kramer. They were a huge part of our week and had been for several years.

Halfway through the year, we got the news that this was it for Seinfeld. This would be the last season. I remember Ashley collecting as many magazines as he could that had this news on the cover. It’s weird to think that back then we got news without Facebook or Twitter. But just the same, the TV show that defined our adolescence was going off the air.

 

 

So, of course, we, like millions of other Americans, had the big finale party. Since school was out for us on May 14, 1998, we had it at our parents’ house. The place was packed. I recall so many details. I was decked out in my black T-shirt that had Wayne Knight on the front saying “Hello, Jerry” and on the back in big block letters said HELLO NEWMAN. I wore it every Thursday back then. I remember sitting in my favorite chair, which was closest to the TV. I remember sneaking a peek at our church’s youth pastor, who was was among the invited guests, when Elaine and Puddy went at it over Hell in a scene during the clip show.

I remember the clip show (now called “The Chronicle”) being cut off short so that the finale could start early because it could not fit into a one-hour time slot. I remember one thing they didn’t cut was a brief, sentimental video with more serious video and photos, including stills of the main characters and empty shots of Jerry’s apartment and Monk’s. “Good Riddance” by Green Day played behind it, a song subtitled “The Time of Your Life”. I remember wanting to cry, which was completely unexpected because anyone who knows the show knows that it was anti-serious 99.99% of the time. They even mocked crying in one episode, with Jerry not understanding what “this salty discharge” was and in real production, the writers and cast adhered to a “No hugging, No learning” mantra at Larry David’s direction.

Yet in the huddle before the finale, we would later learn that Jerry, Jason and Julia all started crying. Because life cannot always imitate art. Michael, the method actor who hated mistakes during filming (which you can see on the outtakes), was the only hold out on emotion. Yet, the lyrics to the Green Day song overlapping those Seinfeld images struck a chord with me because in sitcom terms, Seinfeld did give us the time of our life. And just like Jerry, Jason and Julia, its ending hit me in the feels.

 

LOS ANGELES, CA – APRIL 3: Julia Louis-Dreyfus, Jerry Seinfeld, Michael Richards and Jason Alexander embrace on the set of the show “Seinfeld” during the last days of shooting, April 3, 1998 in Los Angeles, California. (Photo by David Hume Kennerly/Getty Images)

 

As far as the finale itself, I’ve written about it elsewhere and this isn’t even about that. It’s about the event. The night. The hype. The fact that copies of the script were shredded at the end of each day to ensure that it didn’t leak. That people gathered even by the millions in some cities, like St. Louis, to watch on huge screens. The photo below is at Times Square in New York. What an incredible image.

Seinfeld felt larger than life and so its finale absolutely was. TVland went completely off the air during it to honor it. I cannot imagine how badly it would break the internet if it happened today.


I remember after the New York Four were convicted and they had their last moment together in the prison, coming full circle by ending the show with the same conversation that it began with, that I could not laugh at the post-episode scene with Jerry doing his stand-up in an orange jumpsuit, complete with one more Larry David calling out from off-camera moment. It was setting in to me that it was over. After the credits rolled, NBC gave an immediate live thank you to Seinfeld with a picture of the Big Four. If not for the fact I’ve seen the finale many times, I’d probably remember the NBC thank you better than the jail comedy scene. Because it was my sentiment exactly.

 

My brother and I said goodbye to all our friends and I soon went to bed. I never took off my HELLO NEWMAN shirt, a symbolic non-gesture of someone refusing to let go. And as I laid there in the dark and the quiet, I finally did shed a tear. Somewhere between Green Day and NBC’s thank you and the fact that it was finally reality that there would be no new Seinfeld, I felt sad. It was oddly surreal.

In hindsight, I don’t regret feeling that way, but Seinfeld fans cannot truly feel sad these days. In the last 20 years we have gotten the 9-DVD set and its “Notes About Nothing” and other fun extras, continuous repeats of the 180 episodes on TBS, a reunion on Curb Your Enthusiasm, Facebook pages dedicated to doing nothing but quoting the show, memes, gifs, etc. etc. etc. Those of us that have wanted Seinfeld to live on, have gotten that wish. Perhaps only rivaled by The Andy Griffith Show, Seinfeld has thrived after its end. It won’t die. It’s all over the American consciousness daily.

So for that one moment in time, a collision of emotions in reaction to nine seasons of sublime TV comedy occurred. I was there. I’ll never forget it. As far as TV goes, it has always been the time of my life.

 

 

 

 




Five Great TV Couples

To celebrate Valentine’s Day (a little early) we decided to shine the spotlight on a few of our favorite TV couples. However, we wanted our list to be a little different than a “best of.” It would be easy to write about some of the most well-known and loved couples in television history. Couples like the Huxtables from The Cosby Show. Or Ricky and Lucy from I love Lucy. Instead of that, we chose to focus on a few lesser known examples of good, strong, admirable TV marriages. We hope you enjoy our list and we hope you will add your two cents in the comment section below.


Wash and Zoe – Firefly

I’m not sure that there has ever been a TV couple so opposite that still completely adored each other. Zoe, the ultra-fit gun-toting, silent warrior woman and Wash a jovial, fun-loving, happy-go-lucky pilot. And yet their marriage is perfection nearly all of the time. If you have watched the show Firefly at all, you will know the very real passionate love that existed between the two. While they are fully committed to the crew—and Zoe is more loyal to the captain than anyone—it is still all about their marriage to them. Through all the intense activity they manage to maintain their little cocoon of eternal love and bliss. Their relationship didn’t start out that way, though. Not surprisingly, Wash’s manner rubbed Zoe the wrong way when they first meet in “Out of Gas.” During that encounter, she quickly determined she didn’t like him. How things changed. Most reading this have also seen Serenity, the Firefly movie that is a sequel to its epic one-season run. However, some readers may have inexplicably opted out. If that is the case, I will not spoil the specifics about how their life of bliss is finally torn about. But their love goes on and lives forever in our hearts through repeated viewings of the show. – Ben Plunkett


Eric and Tami Taylor – Friday Night Lights

Perhaps the best thing I can say about Eric and Tami Taylor is that they feel real. Friday Night Lights excelled at many things: It told poignant stories. It thrilled audiences. It created believable and fully realized characters. Yet the thing that brought many of us back was the Taylors. Coach Eric Taylor, a Texas high school football coach, poured his life into his team, his players, and his family. He was continuously required to make sacrifices with his time and energy. The great thing about it all was that he made those sacrifices with his wife Tami. They talked. They argued. They fought. But through it all, they loved each other. They compromised for each other. They took turns putting the other first so they could reach for their dreams. They did this all with genuine affection for one another, displaying love and respect all along the way. The Taylors built a family that reached well beyond the walls of their homes. They acted as parents to every player that came through the Dillon Panther program. This is all accomplished without grandiose plot lines or over-the-top dramatic conflicts. It is grounded and real. If that is not a beautiful and relatable picture of marriage, I don’t know what is. – Phill Lytle


Uncle Phil and Aunt Viv – The Fresh Prince of Bel-Air

The Fresh Prince of Bel Air was a fascinating show when it aired and has only become more so since it ended. Will Smith is the loud but lovable, the cocky but contentious star. How this show completely altered his career by vaulting him into acting, without any formal training, is a true American success story. But for his real life named role to work, his aunt and uncle had to be good people. They had to have a strong marriage. Because they took him in, adding his troubled and working-class background to their upper-class family. And I loved watching them make sacrifices to accommodate Will, yet become crucial de facto parents who stood their ground to raise him right, which is no doubt difficult when you’re talking about a teenager. Their best scenes as a couple were during more serious episodes, as when Will and Carlton get unfairly arrested and they have to go to the police station to defend them. Uncle Phil and Aunt Viv were incredible in those moments and could bring the laughter, tears and applause at the same time. A switch in actress halfway through the series for Aunt Viv changed her demeanor some but it didn’t detract from this model marriage. – Gowdy Cannon


Hal and Lois – Malcolm in the Middle

The show is a bit preposterous. It is a loud, rough-around-the-edges sitcom following the lives of Malcolm, a boy genius, and his dysfunctional yet loving family. Lois is the overbearing, never wrong, say whatever is on her mind mother. Hal is the peculiar, probably crazy father. Their relationship doesn’t always make sense. He is clueless at times, though rarely does the show fall into the overdone cliché of the “dumb dad.” Lois is portrayed as possessing almost omniscient-like powers though the show doesn’t hide from her flaws. Lois is the glue that holds the family together. She is the problem solver – the one that fixes things when the boys or Hal completely screw up. Hal’s best character trait is that he loves Lois completely. He is devoted to her in ways that sometimes wanders into the uncomfortable. Yet that is one of the main reasons I am so drawn to it. It is rare that a husband is presented in such a love-struck manner – especially in a couple that has been together as long as Hal and Lois have when we first meet them. They are not perfect by any means, but their love is a passionate partnership and we could find much worse examples than them in popular culture. – Phill Lytle


Adam and Kristina Braverman – Parenthood

This show is such that my wife and I talked about the characters all the time as though they were real people. The title of the show tells you its main focus but for the Braverman clan, the ups and downs of marriage could not be separated out from child rearing. And one marriage rises above the rest for how exemplary it is, that of Adam and Kristina. Teenage rebellion, Aspergers, cancer, political campaigns, new babies…it didn’t matter what you threw at them, they would use it to make their relationship stronger.

By no means were they perfect and I appreciate when TV has raw moments of conflict that do not get handled well at first because just as in real life, it makes reconciliation a beautiful thing. For Adam and Kirstina, this was exceptional TV. I could list dozens of my favorite moments of theirs but I’ll limit it to two. One is at the end of Season 4 when Kristina is cancer free and they go to Hawaii, just the two of them with no kids. And the very last scene of the whole season is them running into the ocean together. So touching. It really was never just about parenthood. And second, when they discover that Hank, a more or less independently functioning adult, may have Aspergers just like Max, their conversation about it is crazy funny. They go back and forth with Adam being completely upbeat about the possibility of Max being similar one day and Kristina being skeptical because Hank definitely has issues. At one point they have this exchange:

A: He has a daughter!
K: But she doesn’t like him.
A: But she’s real!

To know Adam and his facial expression and voice inflection is to love that counter-response. I miss the Bravermans. – Gowdy Cannon

 

 




Why We Can’t Get Enough of the ’80s

Within the span of a few weeks in Summer of 2010, Hollywood gave us movies by the name of The A-Team and The Karate Kid wrapped around a 7-game NBA Finals between the Boston Celtics and the Los Angeles Lakers. I posted to Facebook “I’m going to miss the 80s when the Summer is over!”

Oh, 1980s. We love you so much. We love you so much that we’ve never truly let you go.

The meteoric rise of the TV Show Stranger Things has proven this true. Don’t worry; this isn’t another article about the show. It’s just to say that for all the hoopla, one recurring theme you hear fans talk about is the nonstop ’80s references. For people like me, who love the ’80s, it is absolutely part of the appeal. Even Will’s bowl haircut.

But Stranger Things isn’t even close to alone on this. As people my age have begun to become producers in Hollywood, the love for the decade has become common. There are so many 80s references in Psych I cannot even count them or catch all of them. But there’s no mistaking why Ralph Macchio has a guest spot on the show or why Shawn once said “ding ding” to Carl Weathers.

I have often and loudly proclaimed the ’80s as the best decade for just about everything. It was, in a phrase of the times, rad. Here is why:

 

The Music

I’ll brawl to the death over this one. The only time I have ever felt cool in the history of my life was in second grade riding in the back of my brother Tracy’s T-top Mustang on the way to school, listening to “Money for Nothing” by Dire Straights. And “The Power of Love” by Huey Lewis and the News. And “Eye of the Tiger” by Survivor.

Does life get any better? I submit that it does not!

I grew up dreaming about the day I would dance with my wife to “Can’t Fight This Feeling” by REO Speedwagon and “Lost In Your Eyes” by Debbi Gibson. And you better believe I fulfilled this dream with Kayla in 2014. I can take you to the exact spot in Walker-Gamble Elementary when I first heard “Every Rose Has Its Thorns” by Poison. And who among us doesn’t automatically feel like dancing without inhibition when we hear “I Wanna Dance With Somebody” or singing in unison with a huge group of people during “Come On Eileen”?

Some of my favorite memories ever are being at karaoke hearing Josh Crowe sing “Total Eclipse of the Heart”. Or singing “You Spin Me Right Round” at the top of my lungs at 9 years old without an ounce of self-consciousness. And to go all Hebrews 11 on you, What more can I say? Time doesn’t permit to tell you about Bon Jovi, Tom Petty, Aerosmith, U2, Prince and Guns N’ Roses.

I’m positive in a Top 100 song decade vs. decade battle, the ’80s would annihilate the competition. And if you still doubt that I offer up the following as a mic drop:

 

 

and

 

 

Television

I’ll be honest: in any list of my favorite shows of all-time, the #1 show (Seinfeld) is from the ’90s and most of the rest of the Top 10 will be from this century. Yet despite this, back then we still had no shortage of shows that were perfect for that time. Family Ties, Who’s the Boss?, Growing Pains, The Cosby Show and even lesser known shows like ALF (I had the lunchbox in 4th grade) and 227 (with Hal Williams as Lester Jenkins) were weekly viewing for my family. I have often said that I know my parents made us work when we were children, and we played outside a lot but it seems like if you name a show from the 80s, we watched it. And we loved it. Who didn’t love Tuti from Facts of Life?

 

 

 

TV Theme Songs and Intros

Half of our TV Theme Song Top 10 list features shows from the ’80s. Because that decade was the golden age of introducing shows by putting the perfect music with the actors’ names in real life. Some told epic background stories (The A-Team), others gave welcoming, feelgood invitations (Cheers), some were impossible not to sing along with (The Jeffersons) and others just played cool music over cool video (Magnum PI, Miami Vice). They just don’t make TV Intros like they used to.

 

 

Saturday Morning Cartoons 

Here is another category where the ’80s dominates the field. It’s hard to fathom the fact that for a short time in my life I got to watch ThunderCats, He-Man, Muppet Babies, Transformers and G.I. Joe all in the same week. We all grew up not just watching these shows, but playing them outside, pretended to be the characters, owning the action figures and using our imaginations in a way that seems foreign these days.

 

 

And it wasn’t just make believe that we learned. We all learned wisdom and life knowledge and that “Knowing is half the battle.” (G.I. JOE!!!)

 

GIJoe Knowing Is Half The Battle GIF - GIJoe KnowingIsHalfTheBattle TheMoreYouKnow GIFs

 

A few years later brought the Teenage Mutant Ninja Turtles and Duck Tales, cementing this decade as the most prolific cartoon decade of all-time.

 

 

Movies 

Again, other decades can compete in this category but any decade that gave us Back to the Future, Die Hard, The Goonies, Ghostbusters, The Karate Kid, Rambo, Beverly Hills Cop, Indiana Jones, The Princess Bride, Top Gun and The Terminator has to be on the short list for best ever. Not to mention that many consider Rocky III and IV to best the best of those movies and the ’80s introduced us to Yoda and a more authoritative, finalized version of Darth Vader. And that there is widespread belief that Empire is the greatest Star Wars film.

Beyond that the 80s brought us timeless coming of age pieces like The Breakfast Club and 16 Candles, child acting legends like Corey Haim and Corey Feldman, and some of the best fantasy ever in Labyrinth and The NeverEnding Story. David Bowie was a legend that probably didn’t put his pants on one leg at a time. And man I had a crush on Jennifer Connelly. And it’s a shame that kids today will never know the thrill of going to the local video rental store and getting Spaceballs for the 17th time. Ridiculous speed! My hometown had 300 people growing up, one traffic light and zero fast food places. But we had two video rental stores!

And again, lest there be any doubt, go find Bill and Ted’s Excellent Adventure and watch it. I rest my case.

 

 

 

Professional Wrestling 

Ric Flair and Four Horsemen…Hulk Hogan slamming Andre the Giant…Dusty Rhodes, The Road Warriors, The Ultimate Warrior, Hacksaw Jim Duggan (HOOOOO!!!!), The Rock N Roll Express vs. The Midnight Express, Randy Macho Man “OOOH YEAH” Savage (wrestlers made a lot of random, boisterous sounds but they were super cool), chairs thrown in the ring, steel cages, referees getting knocked out, bad guys cheating, heroes dashing in from the dressing room…what a time to be alive! If my dad wanted to me punish me, a very effective way was to take away Saturday wresting.

3 GIF - WWE Wrestling HulkHuogan GIFs

 

 

NBA Basketball

There were great moments all across sports this decade by people like Jordan, Montana and Kirk Gibson, but all decades have great moments. Only one decade has ever given us Lakers vs. Celtics, Celtics vs. 76ers, Lakers vs. Pistons, Celtics vs. Pistons, and Larry vs. Magic. The modern NBA era is close, closer than any other. But the NBA in the ’80s is about as white-hot as any league could be. Somewhere between Bird telling all of the Lakers he was going to make a three in all their faces in a Finals game and Kevin McHale giving Kurt Rambis a Russian Sickle (classic 80’s wrestling move), the league entered rarefied realms of entertainment. Hearing the Garden Crowd chant “BEAT L-A!! BEAT L-A!!!’ is something I’m thrilled to have witnessed live.

 

 

Video Games 

Two Words: TECMO BOWL

And before that there was John Elway’s QB. And before that “Ten Yard Fight”. And before that the Atari football game where you had to make the block men face forward before each play. What an evolution!

Image result for gif of Tecmo Bowl

 

And there is so much more! In some ways, I miss the 80s the same way Toto misses the rains down in Africa. Yet in others, I don’t really have to. Thanks to Stranger Things and Psych and the magic of the internet, I can transport myself back in time on a whim.

 

Do you remember the ’80s? What did you love most about it?




My Post-Binge Review of Stranger Things 2

Yes, my wife and I have finished with Season 2 of Stranger Things already.

Actually, we’ve been finished for over 36 hours. We are obsessed with this show and we didn’t waste much time blowing right through it in two nights.

I’m going to divide this review into two parts. The first part will be spoiler free and then I will get into spoilers. That way those who haven’t watched or finished can enjoy and those that have finished can have some fun dialoguing about the whole thing without fear of saying the wrong thing.

 

SPOILER FREE COMMENTS

Right off the bat I will say this sequel is, to me, as entertaining as it gets. I have almost zero true complaints and there was definitely no letdown after the massive build up. Which is rare in my experience. I’d give it an A for all the key categories: acting, storytelling, character development, use of music, conflict, intensity, special effects, etc. I feel like this is as well as TV can be done and we are truly fortunate to live in a time when the Duffer brothers used inspiration from all the best sources (it goes way beyond obvious 80’s movies), their own special talent and incredible unknown actors to bring to life a story I can’t get over. There was a moment in episode 8 where I was literally shaking with excitement and anxiousness.

I enjoyed all of the cast additions to varying levels, and especially Sean Astin. The character as written and his acting wheelhouse were a perfect fit. He is nearly impossible not to adore and in a town with so much drama and stress, he brings the levity. And what a Mount Rushmore of big roles for him now with The Goonies, Rudy, Lord of the Rings and Stranger Things. And join me in appreciating how those four works span four decades.

I will say this season seems to focus more on action than mystery, which I would have guessed would have disappointed me but it didn’t. Because they use allusions to my absolute favorite action movies. There is also less development for some characters and more for others but the shoulders they had to stand on from Season 1 in this regard are so tall that it wasn’t as essential to me that we learn more about the past to appreciate the lead roles. This season is not in competition with Season 1 to me at all. It is a beautiful continuation and they work together with a cohesive synergy that I have never seen in a TV show before. So if you want to know if it is better than Season 1, I am the wrong person to ask.

This season is by design bigger, scarier, more intense and more adult (without a bunch of gore or sex, but there is a lot of language), even though it was all of those things before. And it works. On every level, in every way, it works.  The only drama that has ever captured my attention like this was Lost and they are so different I won’t compare them otherwise. Perhaps the biggest compliment I can give it is that after we finished it Saturday I didn’t want to continue our Halloween marathon on Sunday. I just wanted to reflect on what I saw the previous two nights. Anything else would have been lame. I am thrilled to have these 17 gifts of entertainment to watch over and over again. They’re even better than all those He-man men I got for Christmas in 1983.

 

 

SPOILER COMMENTS (You have been warned!)

Let’s jump right in…

Episode 8 rocked my world. It reminded me so much of Jurassic Park, one of my 10 favorite movies ever. Notably, the scenes with the demo-dogs reminded me of the uber-intense face off with JP’s velociraptors. With Bob playing a cross between Samuel L. Jackson and Laura Dern. I am sure all my vital signs read like I was the one in danger that whole episode. I loved every millisecond of it.

And speaking of Bob, I am quite torn on his death. He was such an impacting addition to the cast. He was great as a role model for the science-loving kids. He was utterly lovable. He was a man of integrity and as safe a love interest as possible for the mother who had been through the fire, literally and figuratively.

Yet if you don’t kill off important characters, I think you lose something in suspense. If they had killed off a Season 1 holdover, the fanbase would have rioted. If they killed off Steve I would have jerked my TV out of my wall and thrown it out the window. So someone really needed to be the hero who sacrificed it all. And Bob the Superhero was a great choice. He died because he knew how to do something that mega-testosterone Hopper didn’t. He died because he loved others more than himself. He died in truly one of the great heroic acts in TV lore and left a legacy for those kids. I would love more Bob, but the payoff was worth it.

The other casts additions were fine to me. Paul Reiser was his usual charming self and as an old man, he still can still bring it. Max, if nothing else, allowed us to see more of Lucas and Dustin and I hope Eleven is eventually able to get over her jealousy and welcome Max into the party. As far as Billy…wow. I don’t know what to think. I can only guess there is more where they are waiting to unleash in Season 3. But man what a complicated villain. A victim of abuse who clearly needs a new way to get therapy.

The scenes with Hopper and Eleven were epic. “A clash of the Titans,” I heard one of the shows producers say and a perfect match for a man in need of a daughter with a girl in need of a parent. And a perfect contrast of a man who needs to protect and a girl who needs to rebel. I loved the fights as much as the apologies. But is there anything more tear-jerking than Hopper humbling himself to say he’s sorry? I can’t wait for more of the two brightest stars of the show interacting as a family.

I’m not sure how I feel about the side plot with Kali and especially a whole episode for it. I realize it’s already polarizing but there were things to love–the opening of Episode 1 reminded me of the Dark Knight and The Strangers (two of my other 10 favorite films ever) and Eleven meeting a “sister” who helped her to come into her own was a wonderful touch. And watching Eleven refuse to descend to the abyss of morality was absolutely worth the trip to Chicago. The only complaint is that to do this episode you lose time with the other cast. We love Stranger Things for the ensemble cast as much as anything. But this episode was a risk worth taking, especially if they explore “008” more in the future.

It was in one of the trailers, but I love, love, LOVED the scene where the four boys have “Dart” trapped in the Ghostbusters toy containment unit and they step away from it as it bounces around, just as you see in Ghostbusters. The hat tips to the 80s are sometimes subtle but other times very obvious and they are all magnificent.

The pairing of Steve and Dustin was just magical, and it seems to have happened by accident according to the Duffers. Both characters really had nothing else to connect them to the other characters and the main plot so viola! Put them together and let the good times roll. So much laughter. So much enjoyment.

And on that note, I’ll give my five favorite characters through two seasons. After Season One here was my rankings and comments:

  1. Hopper – The Alpha Dog, the Man, the tough guy many men long to be…and his past trauma just cinches the title of best character
  2. Eleven – So few complete sentences and yet so much depth
  3. Jonathan – Every show and movie seems to have someone I relate to and the awkward guy is usually him, but he is an inspiration in this series
  4. Mike – a true hero, willing to do anything for his friends
  5. Steve – Yes, you want to hate him and love him at the same time…what a performance

 

After Season 2, here are my rankings:

  1. Hopper – winner and still champ…in Episodes 8 and 9 just about every time Hopper did something incredible, my wife would shout “G.O.A.T!” (Greatest of All Time) as I do when watching sports
  2. Steve – When he tells Dustin how he does his hair…he vaulted to nearly the top of this list
  3. Eleven – her growth in this season was a huge part of why it was endearing…when she comes in and saves the day at the end of Episode 8, there was major applause in my house
  4. Jonathan – not quite as big a role to me this time but he’s still the anti-social hero who gets the girl so I’m still on board
  5. Will – he didn’t get as much screen time the first season but that set him up to shine this time around and he did. The kid can act and this was an extremely difficult role to pull off. He tasered it out of the park.

I know some will clamor for Dustin’s inclusion and he is great. It’s very hard to find room for all the greatness.

 

So, what did you think?  If you have spoiler comments, please say so up front in your post below!