The ’80s had its problems but it gave us a lot of awesome things like Lunchables, the Transformers, trapper keepers, the Rubik’s Cube, and the list goes on. One of the best of the best (to some) is the excellent lineup of comedy movies throughout the ’80s. Many of these are very well known and still loved. However, Rambling Ever On is horrified with the greatest of all horrors that several of our favorites have been forgotten, forsaken in the dusty, grimy back alley of cinematic history. Here are our recommendations of five great but relatively forgotten comedies from that decade.
The Private Eyes
by Gowdy Cannon
Don Knotts and Tim Conway were a legendary comedic duo, yet it seems this movie is far more under the radar than anything else they did. And that is a shame. Because it is hilarious from start to finish. Released in 1980, my family owned it on an old VHS tape and I watched it so much I had essentially every word of dialogue memorized as a child (which interestingly made my mother quite proud). It was such clever writing for that era and Knotts and Conway, as the bumbling Inspector Winship and Doctor Tart, brought the humor to life with once in a generation talent and chemistry.
Rife with samurais, hunchbacks, gypsies, mysterious shadow figures and Wookalars (you have to watch), this comedic murder-mystery set in England really keeps you on your toes. And in typical Knotts and Conway fashion, shows us how easy it is to love “two idiots what going to leave their mark wherever they go.” Not counting cameos, this is the last ride for these two men. And they went out in style. With a Wookalar!!
by Phill Lytle
Fletch is widely considered one of the great comedies of the ’80s. It’s witty and razor sharp and Chevy Chase is at his sarcastic best. Fletch Lives, the sequel that came a few years later is widely derided as a pale imitation of its predecessor. I find that opinion to be ridiculous. No, Fletch Lives does not reach the highs of the original but it admirably captures its tone, style, and humor. Chase is given a chance to play a handful of memorable “characters” – Ed Harley and Claude Henry Smoot to name a couple. The supporting cast included screen legend R. Lee Ermey as a smiley, smarmy televangelist and Cleavon Little as Calculus Entropy, perhaps the best side character in either Fletch movie. Seriously, I would watch multiple films about Calculus.
If I were handing out grades, Fletch gets an A+ and Fletch Lives gets a solid A-. To put it more bluntly, for all the Fletch Lives haters out there, I wouldn’t want to live in a world where Fletch Lives never got made. Perhaps I’m wrong. If so, I can only respond like Fletch would, “It takes a big man to admit when he’s wrong. I am NOT a big man.”
The Gods Must Be Crazy
by Ben Plunkett
My parents spent time in Cote D’Ivoire as dorm parents at a missionary school for about half of the ’90s. While there they fell in love with a movie called The God’s Must Be Crazy. They came back, introduced it to me, and I’ll be dogged if I didn’t fall in love with it too.
To be honest, much of the camera-work of the movie is not great. This is possibly because it was extremely inexpensively made from donations from local sources. That location: South Africa. It isn’t set there though. It is set in the nearby country of Botswana with the Kalahari Desert playing a crucial role.
If you can get past the somewhat shoddy cinematography, you will find the entirety of the writing and plot chock full of wit, charm, and a variety of different kinds of great humor. This is particularly true when it comes to the main character, a bushman named Xi (played by an actual bushman named N!xau).
The central plot begins with an empty Coca-Cola bottle discarded by a pilot flying over the Kalahari. It lands where it is discovered by Xi’s tiny, peaceful family tribe. In the ensuing greed and jealousy that erupts, the tribe determines that the bottle is indeed an “evil thing” sent down by the gods to test them. Brave Xi then sets out on a quest to cast the “evil thing” off of the ends of the earth. Then the real madness and insanity begins.
by Gowdy Cannon
I’m pretty sure no movie of the ’80s made me laugh more than this one did. In my circles, it is hard pressed to call it “underrated” because so many people I know love it. But it didn’t make a ton of money and it has a very mediocre rating on IMDB.com, so I think it fits in general.
At a time when Chevy Chase, Steve Martin and Martin Short were all extremely funny actors, they brought it together for a ridiculous yet heartwarming masterpiece of comedic cinema. From the very opening where they hold out the first AH sound in “Amigos” for a stupidly and hilariously long time, to their discussion of what “infamous” means to their unforgettable “My Little Buttercup” song and dance in front of a terrified cantina, the Amigos make sure the laughs do not stop in this movie.
Not to be outshone, even a little bit, is the superbly named and utterly outrageous villain El Guapo. He is truly one of the greatest antagonists of all time in this genre. His overdone machismo and his scathing one-liners are the stuff of legend to me and my friends. And he even has a perfect sidekick, Jefe. I’ve lost count of the number of times I have told Phill, “I am still here El Guapo!” to encourage him that I stand behind Rambling Ever On 100% (Thankfully Phill hasn’t shot me like El Guapo did Jefe.)
On the short list for the most quotable movie of all time to me (“Can I have your gun when you are dead?”, “Good night, Ned!”), I couldn’t get enough of ¡Three Amigos! in 1986 and, unlike most ’80s movies, it still holds up well today. It has made me laugh until I have cried.
by Phill Lytle
I think The ‘Burbs is one of Tom Hanks’ best films and one of his best performances. I realize how absurd that might sound to a lot of people.
The ‘Burbs is a ridiculous comedy about a group of nosy and meddlesome suburbanite neighbors. They come to believe their new neighbors, the Klopeks, are mass murderers who are burying their victims in the backyard. The film is populated with hilariously colorful characters – from Bruce Derns’ insane Lt. Mark Rumsfield1 to Rick Ducommun as the hapless conspiracy nut Art Weingartner. Not to mention Carrie Fisher’s great performance as the patient and slightly exasperated wife.
The film provides laughs on multiple levels – pratfalls, subtle quips, and clever wordplay. But the glue that holds it all together is Hanks. He is equal turns the voice of reason and the most paranoid of them all. His final monologue where he defends the odd Klopek family is delivered with such authenticity you actually believe it deserves to be in a much more serious film – except that Hanks is in on the humor and absurdity and makes sure all of that still comes through loud and clear.
I’m happy to report that The ‘Burbs has found a small fanbase after it’s lackluster reception in 1989. In a perfect world, it would be considered a classic.
Those are our picks. What are yours? Let us know in the comment section. Thanks for reading.
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